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Helen Knowles (b.1975) is an artist and curator of the Birth Rites Collection. She has a BA Hons from Glasgow School of Art and MFA Fine Art from Goldsmiths University. A former British Council, Young Creative Entrepreneur, she has curated and commissioned work for internationally renowned projects which include; Gender Season, London Science Gallery 2020, Oxytocin in collaboration with Procreate Projects, 2019, 7 site specific installations across Guys Campus, 2019, BRC Bi-annual competition for New Work at Media CityUK, The Whitworth Art Gallery and Kings College in 2013/15/17, ‘Birth Rites’, Manchester Museum / Glasgow Science Centre, 2008, ‘Don’t Cross the line’, ‘Agitate’ and ‘Radio Halo’ 2000, a show of eleven site-specific installations at Jodrell Bank Science Centre and Arboretum. Knowles has secured grants from ACE, The Amateurs Trust, Awards for All and Millenium UnLtd amongst others.
She lectures widely around the UK and abroad. Recent and forthcoming shows include; Ars Electronica, 'Trickle Down, A New Vertical Sovereignty', arebyte Gallery, 2020. ‘Future and the Arts: AI, Robotics, Cities, Life - How Humanity Will Live Tomorrow’ The Mori Art Museum, Tokyo, NEMO festival, 104 Paris, The Ministry of Justice and Consumer Affairs, Berlin, 'Artistic intelligence' Hannover Kunstverein (2019) ‘Impakt Festival, ‘Los Algorithmos Suaves’, Centro del Carme, Valenica, Potsdam Film Museum (2018) ‘Zero Recoil Damage’,FolkestoneTriennial, ‘OpenCodes’, ZKM Karlsruhe, Germany, ‘Codex’ D21, Leipzig, The Trial of Superdebthunterbot, Zabludowicz Collection, London (2017) Gender Generation, Royal College of Art, Between the Lines, GRAD,London, Under Construction,Moscow (2016), Collaborate, Oriel Sycarth, (2015), PrivateView:PublicBirth, GV Art, London (2013), Goldsmiths Women’s Library (2013), Life Is Beautiful, Galerie Deadfly, Berlin (2012); Digital Romantics, Dean Clough Gallery (2012) and Walls are Talking, Whitworth Art Gallery (2010). Her work is held in private and public collections including The Whitworth Art Gallery, Gallery Oldham, Tate Library and Archive, The National Art Library, Joan Flasch Artist Book Collection, Museum of Motherhood, NY, Birth Rites Collection and MMU Special Collection. Residencies include; Trelex Residency, Switzerland (2019), Fault Lines, Future Everything (2017-2019), HMP Altcourse, Liverpool, (2017) Moscow ICA, (2015) Santa Fe Arts Institute, New Mexico (2013 Jodrell Bank Science Centre and Arboretum (1999-2001). A recipient of awards from Arts Council England international Development Fund and The Amateurs Trust, in 2012 she won the Neo Art Prize, Great Art Prize for two works form the Youtube Portraits Series.